Handicrafts of India

अभिनन्दन from Gaatha

Gaatha project was originally conjured only for researching and documenting the rapid erosion of Indian craft clusters and heritage. However, we soon learnt from the artisans themselves that need was not to do research alone, but to restore ‘pride and serious commercial opportunity’ in their ecosystem. Today Gaatha thus aims to bring the lost respect and wealth back to these beautiful and aesthetically rich Indian handicraft clusters. These researches are important because just like Industrial goods sell on ‘features’, crafts sell on the processes / stories / heritage that go into making them.

We should give crafts a fair chance, someone is right now merrily making something for us, singing a folk song, in a humble house, deep inside India.

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14Oct

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gaatha.handicrafts

Shop | Handmade treasures from the heart of India
Discover | Woven narratives through craft documentation

Born from clay, awakened by lacquer, this doll emb Born from clay, awakened by lacquer, this doll embodies the joyful spirit of Odisha’s folk culture. Its vibrant surface conceals hours of patient craftsmanship, where tradition meets tender imagination.
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https://shop.gaatha.com/jau-kandhei-lacquered-terracotta-dolls  #teracottaart #traditionalart #gaatha #tabledecor
A Phulkari shawl moves like a whispered blessing. A Phulkari shawl moves like a whispered blessing. Bright threads travel across its surface, transforming everyday gestures into moments of quiet grace. It drapes the body in colour, memory, and a gentle sense of celebration.
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https://shop.gaatha.com/hand-embroidery-phulkari-craft  #phulkari #womenstyle #wintetfestival #gaatha
The Muria tribe of Chhattisgarh is known for its c The Muria tribe of Chhattisgarh is known for its carved wooden khakis or pedias (combs), traditionally used in the ghotul. Within the ghotul, there exists an age-old custom of gifting combs as an expression of love. Boys (cheliks) spend days carving intricate designs on these combs to present them to the girls (motiaris) they admire. Girls play an equally important role in this courtship tradition by collecting and wearing multiple combs, which symbolise their popularity within the ghotul. While the number of combs reflects a girl’s desirability, the size and intricacy of the carvings reveal the devotion and skill of the boys.  When a girl favours a particular boy, she presents one of his combs to her mother upon reaching marriageable age, signalling her choice of a life partner. Such sensitive and meaningful expressions of love existed in our culture long before concepts like Valentine’s Day entered popular imagination. Yet, we seldom valued what deeply belonged to us. Somewhere along the way, we began copying others, and in doing so, lost ourselves. Now we are neither who we once were, nor who we tried to become.
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https://gaatha.org/Craft-of-India/wood-carving-narayanpur/  #triballife #triballove #gaatha #chhatishgarh #loveindia
I find that there lies within me, a legion of thou I find that there lies within me, a legion of thoughts... they find ground here, on an endless pattern of flora, a finite infinity, rendered in an innate palette of colors gifted by mother earth… the intricacy of the pattern meddling with my thoughts.. and in my daze, i barely sense my thoughts being carried to paper... like butterflies to mountains, they find a home in solitude of words again....
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buy here ~ https://shop.gaatha.com/buy-kalamkari-naural-color-duree-online
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#homestyling #durries #gaatha #indianinteriors #livingroomdecor
When machine-made textiles first reached villages, When machine-made textiles first reached villages, handmade fabrics slowly began their journey toward cities. Urban markets initially demanded bright colours and flawless, smooth finishes. Today, the preference has shifted toward texture, irregularity, and natural tones. The irony is hard to miss. Handwoven textiles were once everyday objects in local haats, while machine-made fabrics occupied expensive showrooms. Now the roles have reversed: village markets are flooded with cheap, machine-made goods, and handloom textiles sit carefully displayed in elite retail spaces.  Who truly gains or loses in this shift is a complex question. What is clear, however, is how easily narratives are constructed to serve profit. A story is celebrated when it sells, and later dismissed as a passing phase or friction when markets move on.  A similar pattern can be seen in Kotpad. Yet, despite these changes, the knowledge of natural dyeing and handloom weaving continues to survive. These practices go beyond reducing the environmental impact of chemical dyes; they honour nature and sustain a centuries-old legacy of artisanal craftsmanship. Today, fabrics that once belonged to everyday village life are marketed as niche and exclusive in cities, while local haat bazaars are increasingly dominated by polyester and machine-made textiles.
~  Read more ~ https://gaatha.org/Craft-of-India/kotpad-handloom-weaving-odisha/  #kotpad #handloomsofindia #handloomlove #gaatha #archive
Crafted slowly in the spirit of the Gudadi, each q Crafted slowly in the spirit of the Gudadi, each quilt carries the cadence of rhythmic hand-stitching. The running stitches trace understated motifs, echoing generations of Indian handwork and everyday poetry.
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Buy here ~ https://shop.gaatha.com/buy-rajasthan-embroidered-cotton-bedcover  #homedecor #homestyling #gaatha #quilt #wintervibes
Earlier, Warangal was renowned for carpet weaving. Earlier, Warangal was renowned for carpet weaving. One of the earliest detailed accounts of carpets in India comes from Ibn Battuta, a traveller who journeyed extensively between 1325 and 1354. His writings offer valuable insights into various aspects of life, including clothing, food habits, social customs, and domestic spaces. Ibn Battuta mentions carpets in several parts of India and specifically notes their use in the Deccan city of Daulatabad in the early fourteenth century CE. His accounts are particularly significant, as there are very few reliable sources describing Indian floor coverings prior to the fifteenth century. If floor coverings were present in royal courts during this period, it is reasonable to assume that simpler versions also existed within domestic households  Many foreign travellers, including Portuguese, French, and British visitors, also recorded observations in their travel accounts that highlight the value and high status of carpet-making in South India. These texts provide extensive knowledge of South Indian carpet designs. Although external influences are evident, the carpets continued to retain a strong regional identity.  Such records provide clear evidence of the practice of carpet weaving and even describe design characteristics. The designs were largely based on repetitive pattern systems. Centres such as Vellore, Warangal, Eluru, and Masulipatnam were particularly renowned for this type of production.  Warangal stands out as one of the most significant clusters for carpet & dhurrie weaving. Early examples reflect a high level of mastery in silk carpet weaving, although today the practice is largely limited to cotton and jute. Formerly part of the Nizam’s Golconda province until its capture by the Mughals in 1725, Warangal was a designated centre for carpet weaving and supplied carpets and prayer mats to Muslim royalty.  Read more ~ https://gaatha.org/Craft-of-India/dhurrie-weaving-warangal/  #carpetweaving #handloomsofindia #gaatha #craftdocumentation
Born in Bastar, these handcrafted wrought-iron wal Born in Bastar, these handcrafted wrought-iron wall hangings showcase whimsical forms inspired by nature and folklore. Their modern appeal blends beautifully with rustic textures and elegant interiors.
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https://shop.gaatha.com/buy-wrought-iron-products-online  #ironcraft #tribalart #gaatha #homestyling #triballove #indiandesign #gaathahandicrafts
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