a few artisans in sarangpur, Madhya Pradesh, who are making nutcrackers they were so fascinated by. The students watch wide-eyed as a pair of metal-smiths forge a piece of metal and file the head into an L-shape, one of them controlling the forge while holding the article..
Things like precious pearls and gems, pure gold and silver wires, ivory and rare animal fur, feathers and shiny beetle wings were used. In the making of the Jama ( A dress ) especially, the gota patti work incorporated a unique kind of sequin made from Elytron or the fore-wing of the Jewel-Beetle that belongs to Buprestidae family.
The cultural representation of bullock cart has led us to visualise it with a bullock carrying a cart on its shoulders with two wheels attached. But owing to diverse topography, different breeds of bullock and the purpose they serve, the design of the carts have to be customised uniquely.
In recent times, Pattachitra is used to depict and spread awareness about recent historical events like The French Revolution, World Wars, Bengal Plagues, Freedom Struggle among others. But the most interesting point to observe here is that all the characters of these images have Bengali physical features...
The pieces spin once again to apply the coat of lacquer. The sticks of Lac are pressed against the constantly moving surface. The friction of it begins melting the sticks and colour blooms onto the wood as the Lac sticks to it. If the natural colours do not suffice, the artisans turn to acrylics...
The process of bronze casting is, in itself, a very spiritual experience. A Sthapathi is expected to be well-versed in the Neetisaram, Amaram, Shilpasaaram, and the Dhyan shlokas. He recites these shlokas and lets the aura of God guide him and help conceive the deity’s form in his mind.
Gaatha brings to you, traditional handicrafts and the culture behind them, directly from the very home of the Indian artisan.